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“She had no idea what to post every day…”

Shorts / Reels / TikToks
Thumbnail Design
Video Editing

I’m a creative video editor focused on crafting high-retention short-form and long-form content for social media, especially YouTube and Instagram testimonial-style videos. I’ve been developing my editing skills through hands-on practice, studying viral content structure, and breaking down what actually keeps viewers watching. Recently, I’ve been focusing on storytelling-based edits — turning raw interviews into structured narratives with strong hooks, clear transformations, and emotional payoff moments. I’m currently improving my ability to build engaging “hero sections” and retention-driven pacing that makes content more compelling from the first second. What I’m passionate about is transforming simple conversations into impactful stories that highlight real results and transformations. I enjoy working with content that has a clear message, especially personal growth, business, and creator journey stories. What makes me different is my focus on structure and retention rather than just visuals. I think like an audience member first, editor second — always asking: “Why would someone keep watching this?” That mindset helps me cut unnecessary parts and build videos that feel clear, fast, and engaging. I’m looking to collaborate with creators and brands where I can grow as an editor and help turn their raw content into high-performing, story-driven videos.

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Motion Designer & Video Editor | Documentary & Explainer Animation · 2D/3D

3D & VFX
Animation
Motion Design
Video Editing

I'm a motion designer and video editor who specializes in long-form documentary content for YouTube. For over a year I've been the sole editor and animator on That's Paul, a travel documentary channel covering Latin America — I handle everything from raw footage to final delivery: editing, color, sound, and the animated historical segments that have become the channel's signature element. Episodes run 30–60 minutes, so I know what it takes to hold attention in long-form: pacing, story structure, and knowing when to let a moment breathe. What makes me different is the full pipeline. Most editors don't animate, and most animators don't edit — I do both, plus 3D in Blender when a story needs it. That means a channel gets one person with one consistent visual language instead of coordinating between two or three freelancers. My collage animation style — archival photos, maps, and illustrated elements brought to life — was built specifically for documentary storytelling, inspired by the editorial work of Vox and Johnny Harris. I've spent 7 years in video production, working with 80+ clients across media, retail, and industrial sectors — but long-form documentary is where I want to go deep. I'm looking for channels that care about storytelling and want a reliable creative partner who delivers week after week, not just an editor who executes a brief.